Theory and Practice of Kinetic Poetry in Composición de lugar (1976) by Amanda Berenguer
Keywords:
Amanda Berenguer, Uruguayan Poetry Twentieth Century, Visual Poetry, Latin American Avant-gardesAbstract
In this paper we analyze Composición de lugar (1976), the book that represents the most experimental phase of Amanda Berenguer’s poetry. We examine the text in the light of the notion of “kinetic poetry” as developed by the author and so, in this coincidence of theory and praxis we trace its links with the aesthetic searches of other avant-garde authors and groups.Downloads
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Published
2019-04-15
How to Cite
Puppo, M. L. (2019). Theory and Practice of Kinetic Poetry in Composición de lugar (1976) by Amanda Berenguer. Letras, (69-70), 79–100. Retrieved from http://200.16.86.39/index.php/LET/article/view/1679
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